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07 April 2020Raphael of Urbino: Artist and Architect
03 March 2020The Chair – 2000 Years of Sitting Down!
04 February 2020Painting with a Needle: 18th Century Embroidery for Gentlemen and Botanists
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02 July 2019The World’s Most Expensive Art
04 June 2019Lawrence of Arabia: Excavating a Legend
07 May 2019Hockney at 80 – Britain’s Greatest Living Artist
02 April 2019The Art of the Steal: Nazi Looting During WWII
05 March 2019Chinese Imperial Court Costume 1644- 1911
05 February 2019The Wallace and Frick Collections and their connection with Knole
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04 December 2018Giles: His Life, Times and Cartoons
06 November 2018Thomas Heatherwick: “ The Leonardo da Vinci of Our Times”
02 October 2018Captain James Cook and the Enlightenment
03 July 2018Buried Treasures - Spectacular Hoards of Late Roman Silver
05 June 2018Art UK: Uncovering the Nation’s Hidden Oil Painting Collection
01 May 2018The Art of Royal Dress – Why Clothes Matter
03 April 2018Anatomical Drawings of Leonardo da Vinci
06 March 2018Toulouse-Lautrec and the Cabarets of Paris
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03 October 2017Image and History – Art at the Lansdowne Club
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02 May 2017The Extraordinary Life of Misia Sert – Queen of Paris
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Raphael of Urbino: Artist and Architect Ms Shirley Smith BA FRSA Tuesday 07 April 2020

2020 marks the 500th anniversary of the death of Raphael. The monumental figures and clarity of form of his art epitomises the grandeur of the High Renaissance while his masterful drawings, in a variety of media, reflect his creative processes. His early death at the age of 37 belies the scope of his work and future influence. In this lecture, we will study his art and architecture, from his early work in Urbino and Florence to its full maturity in Rome.

Shirley Smith Graduated from the University of East Anglia with a first class honours degree in the History of Art, specialising in the Italian and Northern Renaissance. She is a Fellow of the Royal Society of Arts and a part-time lecturer for the University of East Anglia and for the Department of Continuing Education of the University of Cambridge. She has run study days and certificate courses as well as residential weekend courses. She also lectures to the Art Fund and individual clubs and societies. She is particularly keen to set the art and architecture of the period in the context of the society for which it was produced.

Picture credit: Madonna della seggiola (1513) Palazzo Pitti, Florence (Web Gallery of Art)